![lightroom 4 vs 6 lightroom 4 vs 6](https://i.ebayimg.com/images/g/rnUAAOSwC25hVQUe/s-l225.jpg)
Subscribe to Adobe’s Creative Cloud subscription program, and get “Lightroom CC 2015”. The most cost-effective version for photographers is the CC Photography Program, which includes Lightroom, Photoshop, and unlimited syncing of photos from Lightroom to Lightroom mobile for mobile devices, and to Lightroom web. There Are Two Ways You Can Obtain the New (2015) Version of Lightroomġ. (Adobe took the old “Lightroom CC’ name and put it on this new application.) Please refer to my article, Which Should I Use, Lightroom Classic 7, Lightroom CC or Lightroom 6” for a comparison of these. Now the choice is among the non-subscription Lightroom 6, the subscription Lightroom Classic 7, and the new simplified cloud-based Lightroom CC application. One random winner will be chosen next Friday Jat 12pm EST.UPDATE JUNE 2018: This article was written in 2015, when the choice was between the non-subscription Lightroom 6 application and the subscription Lightroom CC 2015. Would you like the chance to win 1 set of blogging templates (5 templates in a set) and the matching timeline set (2 timelines, three tabs) where everything is completely customizable from fonts to colors from them (a $185 value)? Hop on over to their facebook page, give them a like and then head back on over here to let us know which template you would love to win and why in the comments below. Thank you to Happy Girl Design who has sponsored today’s article! They have an amazing boutique where they offer blog templates, pre-designed logos, facebook templates, and much more in a fun, fresh, and contemporary style.
#LIGHTROOM 4 VS 6 CODE#
Use the code “happy” when you check out and you’ll receive 50% off your purchase! Code expires August 31, 2012. Now in Lightroom 4, we can brighten the darkest shadows by lifting the blacks, which was a one-way darkener in previous editions, and we also have the shadows slider, which can also slide both ways.Īhhh, the midtones are intact and my dark water is now a bit brighter!Īnd now my real final edits…I couldn’t get the Lightroom 3 version to the same level as Lightroom 4, this is as close as it could get:Īnd it’s never going to be a great portrait, but he’s also never going to be telling me about his awesome first grade dance moves and that’s why I love this little snap anyway.Ĭongratulations to SuzyR who said, “Love the Vanessa templates – thanks for the chance to win such a beautiful gift )” Please contact me at to claim your new templates! If you weren’t the winner there’s still a little treat for you. In Lightroom 3, I would use fill light and get this result:ĭo you see how fill light affects so much more than just the shadows? It brightened the midtones significantly as well. Let’s say I wanted to brighten the water to camera right. If I took it to where most of the blown highlights were gone, then I get this oh, so lovely blotchy dark patch.
![lightroom 4 vs 6 lightroom 4 vs 6](https://www.greaterthangatsby.com/wp-content/uploads/2016/06/LR_P3.jpg)
This is the best I could do with the highlights in Lightroom 3: Lightroom 4 now gives you the option to locally adjust white balance, reduce noise and alter shadows and highlights. From there I went into the adjustment brush panel which is a huge improvement over Lightroom 3. He got a sunburn a few days ago (good job mom) so I had to add a good amount of green and luminance to the red channel.
#LIGHTROOM 4 VS 6 SKIN#
I then adjusted my skin tones so that they were in the same range with better color. I always hesitate to go past 20 with recovery on portraits because of the flatness and grayness effect on the skin tones, so that’s why I left recovery at 20. This gives you the ability to be very precise without using the tone curve or adjustment brush. Lightroom 4 gives you the option to pull back highlights and also whites, which are the brightest highlights and the gray haze isn’t nearly as bad as it was in Lightroom 3. Lightroom 3 uses recovery to bring the highlights back into gamut, it really added a layer of grayness that I avoided using. You can see the difference in the way the highlights are affected. Exposure now concentrates its effect on the midtones, whereas LR3’s Exposure is a global change and brightness is the midtone changer. I start by adding exposure to brighten up Jackson. The difference between the two upon import is negligible when you see the side by side. Lightroom 4’s default import with everything zeroed out, as opposed to Lightroom 3’s default of +50 brightness, +25 contrast, +5 blacks and a medium contrast curve. The good news is that if you’ve never used Lightroom, the controls are much more intuitive and the best part is that they’re all more precise than previous versions of Lightroom. The loss of fill light and brightness is a scary prospect when it’s part of your workflow. The switch from Lightroom 3 to Lightroom 4 can be daunting to any loyal Lightroom user.